Welcome to the mystical world of The Blue Trunk! I’m Ujval Anand, the founder, and I’m so happy to have you here.
The Blue Trunk isn’t just about artifacts—it’s about stories, memories, and the magic of India’s rich heritage. My journey started in the corporate world, but my heart was always drawn to travel, culture, and art. Collecting these pieces filled me with a joy I can’t quite put into words, and that joy led me here.
At the heart of our Bombay gallery sits an old blue trunk, a cherished symbol of everything we stand for. And now, I’m beyond excited to bring that same charm to you, wherever you are in India. With our website, you can explore and experience our collection from anywhere, anytime.
So, take a look around, find something that speaks to you, and let’s keep the magic alive together!
Love,
Ujval Anand
Founder and Curator
This collectible is a vintage Balagopal in bronze depicted to be crawling with a ball of butter in the right hand. This is an enduring piece, the kind of piece that can take your heart away! The deft craftsmanship on this miniature almost brings the Maakhanchor to life and is praiseworthy. This Balagopal can adorn your home shrine and also become a great addition to your collection.
History of use of statues of gods in Indian religious culture: The history of statues in Indian religious culture spans over two millennia, showcasing diverse styles. The Mauryan era saw the emergence of stone-carved statues, marked by a certain austerity and simplicity. In subsequent centuries, during the Gupta period, sculptors honed their skills, producing lifelike, highly detailed statues. The Gupta style emphasized grace, idealized proportions, and exquisite facial expressions, exemplified by the iconic standing Buddha statues of Sarnath. As time progressed, regional variations emerged. In the South, the Chola dynasty excelled in bronze casting, creating dynamic, sensuous depictions of deities. In the North, the Rajput and Pala dynasties contributed distinctive styles, characterized by intricate ornamentation and unique iconographic features. The Mughal era brought about a synthesis of Persian and Indian artistic traditions, exemplified by the elegant marble reliefs and intricately carved jalis (latticed screens) in Mughal architecture.
Sourced From:Warangal, Telengana
Dimensions: 4 cm (Length), 4 cm (Breadth/Depth), 5.5 cm (Height)
Weight: 0.1 kg
Colour: Patinated Brown
Wipe the piece with a soft, dry cloth. Do not expose it to direct sunlight, dampness, heat or cold.
Shipping is free in India upto 5 kgs. Please refer to the “Payment, Shipping and Returns” before you place your order.